As I begin yet another revision for yet another novel, I’m reminded of a few revision and writing/outlining tips that have always helped me in the past, and that I plan to employ in full force again. Not that I’m some sort of bestselling author passing down the key to the city or anything, but you never know what tip will make that new draft feel like a breeze. I’ve mentioned some other tips before (HERE and HERE) but here are a few of my favorites that I’ve picked up along the way, and maybe one of these will help you too.
1. Write a New Outline Between Drafts
This is something I’ve done off and on for years, but I have used this device much more often since hearing Gabriela Pereira, of DIYMFA.com, profess its benefits at a Writer’s Digest conference in 2014. Even if you had an outline before you began a first draft, and even if you feel you have a clear idea about what needs to change in draft #2 (or #14, or whatever), you'll absolutely strengthen your understanding of the current state of your book and reinforce your new ideas by writing a completely new outline before you begin the next draft. It may not have to be anything extensive, perhaps a page summarizing the major movements of your tale, but I find this step between your revision notes that you’ve jotted down and the actual book beautifully melds what you want to do with what you’ve done.
And for those who like to work without outlines at all, I certainly understand your sense of adventure, and I’ve written that way in the past as well, but I find a few road signs along the way with enough leeway for exploration and surprises has been the most enjoyable sort of journey.
Read moreSelf-editing is one of the most widely discussed “craft” topics for writers and everyone has their own B.S. methods and tricks. Most of the tricks are just common sense, such as AVOID IT AT ALL COSTS, because you will never not ever catch all of your own typos, but you can try! (And you should try…nothing is worse than typos. Not taxes, not typhus, not anything.) Here are a few things I suggest.
1. Oh god, just hire someone else to do it. They’re probably better at it than you. No, not probably, they are. I just read six websites that all said something like “The author is the best person to edit their own work” and that’s such a load of garbage. You are certifiably the worst, because you know the material too well. Find someone who doesn’t know it at all.
Read moreThe bad apples are out there in every field and occupation, and the publishing world has plenty of those wormy, half-trodden, utility apples lying about the orchard. The vast majority of editors and writers have amazing, productive, inspiring relationships, or at least working acquaintanceships, or at the VERY least they don’t hate one another, but sometimes those wormy bad apples come calling from both sides of the publishing lines.
I don’t intend for this to be a gripe session, not at all, but I do want to hold up some apples to the light and examine them with the hope that it makes the writing world a happier place to be. And it’s important to remember that these are cautionary tales, not the norm—so with that in mind, here are some things that bad-apple editors and writers should both stop doing immediately to make this publishing life a little easier on the rest of us.
Read moreWhether or not you outline your entire novel before you begin or leave plenty of room for surprises along the way, many writers will reach a point where they struggle with a story. Maybe you wrote yourself into a corner. Maybe you’re having trouble bridging main plot points with smaller scenes of character development. Maybe the characters feel flat. Maybe you want to add an unforeseen subplot but nothing fits just right. Whatever it may be, story speed-bumps are out there waiting for you, but I’ve found a little “game” I like to play that can help flesh out a story idea and possibly turn a handful of outlined scenes into an expansive epic full of action, drama, and tension.
Read moreNo matter what genre of fiction you write, be it horror, mystery, YA, erotica, or more literary fare, there’s one very basic thing all fiction writers have in common—we LOVE coming up with perfect place and character names. I know some writers who seem to pull names of people, towns, rivers, roads, and ranches out of thin air, as if these fictional locales have always existed in the recesses of their minds. I can’t always do that, and maybe you can’t either, so here are some ways I go about gathering names for the characters and places in my own books and stories.
Read moreI enjoy re-reading Stephen King’s On Writing every few years. Not only is his personal, humorous, accessible prose in the book a pleasure to read, but as I grow older and more experienced in the writing world, I find so much of his advice to be spot on. But there’s one particular tip in his book that seems to have struck a chord in my writing life. In the long run, the piece of advice he offers is very true…but it took me a few drafts of one of my novels to see the light, and to develop my own equation for coming up with a book that, at least to me, is complete and satisfying.
That piece of advice? Put on your mathematician's hat and get out your pencil, because this is one equation you’ll want to write down and remember, and then revise and make your own.
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