Some Recent Poetry Publications...

I spent some time over the winter sending out new poems to magazine and I got lucky with a handful of places that I really admire. Some are publications where I’ve appeared before and some are new. It’s been a nice mix and it felt really encouraging to have a strong response after taking a very long time off from sending out poetry submissions. And all these poems are slated to appear in either my new book Cistern Latitudes (from Roadside Press) or my next one coming out later in 2024, titled Nassau.

Nixes Mate Review selected “Baily’s Hardware” for their print Summer/Fall 2023 Issue. (Nassau)

Trampoline selected “Pioneer” for their January 2024 Issue 21 release. (Cistern Latitudes)

Cajun Mutt Review selected “Johnny ‘89” for their Night Owl Narrative #1 Issue. (Nassau)

Chiron Review selected “Hand Me Downs” for their Winter 2024 Issue. (Nassau)

Tabula Rasa Review selected “Acre” for their spring/summer 2024 issue. (Cistern Latitudes)

San Pedro River Review selected “Village Video” and “Marathon” for their recent issue (one from each)

Misfit Magazine selected “Cherry Dip” for their summer 2024 issue. (Nassau)

Book of Matches selected “Concession” for their summer 2024 issue. (Nassau)

My thanks to all the editors who chose to include my work alongside that of so many fantastic writers and artists. I deeply appreciate it.

Roadside Press to Publish Cistern Latitudes

Roadside Press and I are working on my next full-length poetry collection titled Cistern Latitudes, with a publication date slated for late spring 2024. The sibling publishing wing of Roadside Press, called Gutter Snob Books, previously published my poetry chapbook Proper Etiquette in the Slaughterhouse Line in 2022, and I couldn’t have been happier with how that one turned out, so I’m pretty excited. Roadside Press is just as dedicated to supporting their authors and putting out beautifully designed books, so I know this new book is in good hands.

Cistern Latitudes will contain 60 new poems, or as I called them, 60 small descents into moments and places that once witnessed tectonic shifts in destiny that are now as silent and still as subterranean pools of water, clear and dark and carrying the truth that life and the world may have lost its way, that tragedy may linger in the corners of our past, but there are still latitudes and geographies out there that harbor safe, calm, and magical futures if we look for them.

I’ll post more details when the book becomes available, but for the moment, here is a sample poem that will appear in the collection. Thank you for reading!


Tributaries is Now Available!

My latest collection of poetry, Tributaries, is now available from Maverick Duck Press! This collection is a series of poems about the Hudson River, from its humble beginnings in the Adirondacks all the way to the Atlantic Ocean, and the poems examine at the people and places dotting its winding path.

The poems were inspired by my friend Meg Marohn, who wrote me a poem on her typewriter at the Troy Farmers Market in 2017, after a conversation we had about all the places we lived along the river. After her tragic passing in 2022, I found the poem and wrote this chapbook based on its spirit and vision, and I dedicate this book to my friend. I think she would have liked it, and I hope you do too. The book was published by Maverick Duck Press in July, 2023 and is available now at their website. Thanks for taking a look, and if you’d like a signed copy, please reach out to me! Here’s a sample poem from the book called “Warrensburg,” and I hope you enjoy.

"Grunewald" in The Westchester Review

The new summer issue of The Westchester Review is now up, and it includes my poem “Grunewald,” a piece written from my week spent in Berlin in 2010, a journey magical enough that it still spawns new poems to this day. The issue of TWR has a ton of great writers within, and I’m honored to be included. Be sure to check out the whole issue, and you can find my own piece HERE. Thanks for reading!

Now Available: Both Ways Home

My next book, Both Ways Home, is now available by messaging me at jamesnyduncan@gmail.com or by visiting Amazon or my online shop. In these 80 poems and 12 short stories, I explore my two hometowns of Albany, NY and San Antonio, TX, the allure of each as strong as magnetic poles over the many years I’ve crossed the vast American landscape to one or the other in search of work, love, friends, and futures unwritten. Marquee lights, Halloween nights, and familiar neighborhood cafes populate the poems, while the stories range from biographical to quiet studies of those struggling to make ends meet and discover their own paths forward in each city. In “Bring Your Son,” a mother contemplates how her divorce might affect her little boy’s future; in “Little Victory Diner,” a runaway works off his meal by washing dishes and bonds with a lonely waitress; a search for a mother’s grave in the Texas heat goes awry in “Empty Spaces”; and in “Dominion,” a young girl lost in the outskirts of a wealthy rural community learns who to trust and who to leave behind as the lights of San Antonio guide her to a future where she is in control of her own destiny. I hope you’ll enjoy this book, one of my most personal to date.

“This vibrant, heartfelt collection beautifully connects two hometowns, and James H Duncan masterfully brings to life the people and places dear to him. As readers, we are lucky to be going along for the ride and to make it home safely, caked in the stardust of daydream believers driving over the horizon, in love with everything that surrounds us.” - Kevin Ridgeway, author of Invasion of the Shadow People

Two Reviews of Proper Etiquette in the Slaughterhouse Line

Releasing Proper Etiquette in the Slaughterhouse Line this summer through Gutter Snob Books was an amazing experience, and I’m profoundly proud of the book, the editorial care the publisher displayed to do the book justice, and the reviews and feedback that came in. I had such a busy summer that I wasn’t able to sit down and share some of the reviews in one place but here are two quick ones!

Dennis Williamson took an incredibly deep dive into the collection, saying, “Proper Etiquette In The Slaughterhouse Line by James Duncan is a book for anyone who is at the mercy of ‘just making a living.’ Over the course of seventeen equally unsettling poems, Mr. Duncan adroitly lays bare that it is the myth of American success that we have to thank for such a condition. Indeed, our myths are no less potent than the mythology in which the Romans put so much stock, to the point that they became the backdrop of the horrors in their arenas. Moreover, Duncan traces a lineage from the Colosseum to the modern day American office.” As well as, “Mr. Duncan has become so attuned to the themes he’s treating that he can be right there beside the reader. He’s arrived, and stands on the platform where we wait to meet him. Poet as prophet. He bids us to board the train – next stop, Apocalypse.” To read the whole review, CLICK HERE!

Michael Grover, an editor and poet also took a few moments to review the book, saying, “What this book does is amplifies and brings to the surface the stress of modern employment. The constant threats, and deadlines that we are all under. How we just take it until we can’t anymore. We have no choice. The end of this kind of tailspins into what I would call prophesy. James is just reporting the facts as he sees them. In this World that continues to become more corporate by the day, it won’t take long.” Read the whole thing HERE!

Thanks so much for all your support and feedback, and signed copies are still available at www.jameshduncan.bigcartel.com and Gutter Snob Books!

Live at the Linda, December 2021

I had the pleasure and honor to join a bunch of fantastic poets at The Linda in Albany, NY last December to celebrate the end of another year of local poetry, and the recorded the session for WAMC, the area’s NPR affiliate, which you can listen to here. Albany Poets and the Hudson Valley Writers Guild have a great relationship with The Linda and they’re slowly releasing each poet’s performance as we near the end of 2022. Mine was posted in September. I haven’t listened yet (like most folks, the sound of my own voice makes me cringe a bit) but it was a fantastic night and I’m really proud of the poems I read, including a few that will appear in an upcoming book of mine (called Both Ways Home) that should drop before the holidays. Enjoy!

Proper Etiquette in the Slaughterhouse Line

Now available from Gutter Snob Books! Order from the publisher or order from my Big Cartel shop!

“The work we do, all of us, this whole universe of spreadsheets and emails and wrenches and lesson plans and bus routes, this work we do is just to keep us from thinking of Love.”

When our value is judged by our productivity, when we’re seen more as cogs in a machine than human beings, when the warnings of a world on fire are ignored by CEOs and politicians cashing in at every turn—doom is inevitable. These poems explore the grinding, churning world of the working class waiting in line for their turn in the slaughterhouse, and when the world begins to fall apart after years of dour warnings, we’re still expected to come in and punch the time-clock as the bombs fall, the water dries up, the toxins spread, and the end comes for each of us. But the boss is throwing a pizza party at 4 p.m., so don’t punch out too soon!

“James Duncan shows his work. He is thorough and true. There is a cadence to these poems that goes beyond the poems themselves. The entire book moves like a train. Duncan uses language as a vehicle in which the reader truly travels. There are depots and little worlds along the journey. There are tiny poems inside each poem itself. His poems are crafted like stories told between friends, stories too painful to tell, stories written in real time and reflection, stories that are windows and stories that are lessons learned through the grinding grief and unpredictable joy that define nearly every life ever lived. Duncan reminds us that our lives are large, real and precious, but so much is lost in the paperwork and the phone call and the everyday business of our lives. This book is a catalog of the glory and the desperation of being alive in a world that challenges decency. These poems fight to deny that challenge, to disregard it even as we live it and see it out the windows of our brains, our bargains with ourselves and as we bump along the tracks of our lives. Duncan reminds us that "if you’re going to die, die with decency.” — Dena Rash Guzman, author of Joseph and Life Cycle

“James Duncan's new collection of poems punch me square in the teeth. Most of us work a job we hate just so we can survive in a world that would rather see us exhausted than in love, that would rather see us depressed than creative, that would have us put our heads down and live among the meaningless than to look up and discover awful truths. These are poems in the vein of Carver, Bukowski, and James Wright. Workers, fighters, and people with little hope, trapped in a system they cannot beat, but sometimes can beat late at night during the exhausted hours. These poems take the everyday mundane existence we are force fed eight hours a day and show us there is hope, but only if we are willing to open the doors of the slaughterhouse.” — Frank Reardon, author of Loud Love on the Sevens and Elevens, Blood Music and others

“With Proper Etiquette in the Slaughterhouse Line, James H. Duncan does a superb job of showing us our humanity exactly as we are living it, the pain, the struggle, the sickness and all the manifestations of any joys we can find to keep ourselves grounded. Duncan’s poems are both heartbreaking and equal parts exuberant within the expression of the simplest speck of human minutiae. This book of poetry exposes our very soul.” — John Grochalski, author of Eating a Cheeseburger During the End Times and P-Town Forever

New Poem in Black Poppy Review

My poem “Creatures Who Survived” now appears at the delightfully grim Black Poppy Review, which describes itself as a journal focusing on “dilapidated, mossy grounds…hidden paths and nooks which lead to words that linger and haunt--poems of abandonment, flora & fauna, folklore, ghosts, memories, nature, night, solitude, weathering, wonder, and the otherwise forgotten.” My piece certainly fits into that mold. It’s one of the post-apocalyptic poems I wrote pre-pandemic that I’m working into a future chapbook of similar pieces, so stay tuned for that. Thanks to Sandy Benitez for accepting this piece and for publishing such a cool review!

Strange Gods of the Prairie Anthology

The Gasconade Review puts out an annual poetry anthology (among many other individual collections) and this year they titled their anthology after one of the three poems of mine they selected for inclusion, “Strange Gods of the Prairie.” The other two poems they accepted are “A Dying Orchid on Fire” and “Two Chairs on the Front Patio,” and I’m thrilled to be included alongside the likes of John Dorsey, Linnet Phoenix, William Taylor Jr, Shawn Pavey, Zara Lisbon, Tim Heerdink, Holly Day, Ace Bogges, and many others. The cover art is pretty cool and you can find copies online for $15. It’s a big one so it’s worth your money. My thanks to the editors and congrats to all who made it into the anthology!

Poetry Audiobooks Now Available at Bandcamp

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Three of my poetry collections are now available in audiobook form at Bandcamp, including We Are All Terminal But This Exit Is Mine, Feral Kingdom, and my half of the split-collection Vacancy (the great Kevin Ridgeway wrote the other half). The files are available to stream for free at the site or on the Bandcamp app, and they’re only a few dollars each if you wish to download them. In the coming months I’ll be working to create and post more poetry audiobooks, then turn to my short story collections, and eventually longer fiction if people are interested in that too. Thanks for all of your support, and as always, signed copies of the books are always available. Just drop me a line!

Coming Soon: Beyond the Wounded Horizon

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Our impending split-book of poetry Beyond the Wounded Horizon, co-authored by myself and J Lester Allen, is important to me on so many levels. Not only does this collection contain some of my absolute favorites of our work, but I have wanted to publish Lester (as many of us knew him way back when) for years, ever since he worked so hard on my 2009 release Maybe A Bird Will Sing through his then publishing house Bird War Press. He added so many wonderful details to the now out-of-print book: special bands to hold together the bundles of saddle-stitched copies, bookmarks, stylized watermark art on the cover and back. I was so impressed and so grateful, and it feels like I fulfilled a bucket list item by attempting to return the favor in some small way with Beyond the Wounded Horizon, which should drop in early summer.

We met back in those heady days of MySpace when it felt like artists and poets could connect with so much more openness and ease, mostly because all our pages came with blogs, readily stocked with new work we could browse as we got to know each other. I met so many writers in that period that I still communicate with daily and weekly, but the camaraderie and connection I made with Joe (as many of us know him by these days) felt different. Even though we didn’t speak as often as I did with other writer friends, getting to catch up over a quick chat, a phone call, a beer at his place or on the road, it felt like talking to an old friend from another life, someone I didn’t need to impress or entertain, and each conversation was a comfort.

Some of the poems in this book speak to those moments of ease and fun (the cover photo is even from our first hangout at Bleecker Street Bar in NYC), and many more speak to that whole era of life when he and I were on the move, crossing the country on separate journeys, zig-zagging bars and highways all through California, Texas, NYC, the Midwest, and the small towns of Pennsylvania and western New York state. Some of the poems come from that chapbook of mine Joe published, and some come from a chap he released back in 2010 as well. But many poems are new, many are reflective, and there are poems that show where our separate journeys have taken us, to somewhat steadier lives where work and love and peace are still punctured by strangeness, by nights of music and nostalgia, and by an eagerness for more, more of the lives we left behind along those dark highways, but also more of the quiet goodness we’ve found along the way.

And we’re not finished, not in any sense, but I admit that this book is one I would be proud to leave as a capstone, a collection that combines the past and the present in such a meaningful way. But I’m sure it’s not the end. The itch to write, to hit the road, and to track down friends for another neon race through the bars and diners of some distant city will call once again, someday, but for now I’m very proud to offer you all this book of new and selected poetry, one we wrote in honor of those old days of burgeoning friendships and madness, and one that tips the hat to the many more nights of wonder to come. Thanks for all of your support over the years, and we hope you enjoy this book.

New Poem in the Spring Issue of Black Coffee Review

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My poem “Phone Booth in Tujunga, CA” now appears in the Spring Issue of Black Coffee Review, alongside some excellent poets like Kevin Ridgeway, Alexis Rhone Fancher, Bunkong Tuon, Julianne King, and Alan Catlin, and many others. My thanks to David Taylor for accepting the piece and putting this issue together.

This poem is a throwback about a visit to California in my mid-20s, and the piece also appears in one of my recent poetry collections, Feral Kingdom (Kung Fu Treachery Press), which includes a number of poems from the last ten years or so that have to do with the time spent between “lives,” the gulf between those places and periods where things feel settled…until they’re not again. The book is available for $15 and supports not just myself but a great small press. I hope you enjoy, and thanks for reading this poem!

New Poem in San Pedro River Review

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My poem “A Sunday Like This” now appears in San Pedro River Review’s latest issue, alongside the poetry of such writers as John Dorsey, Ann Howells, Kevin Ridgeway, Ken Meisel, Megan Merchant, Justin Hamm, and Mela Blust, among many, many others. This particular poem is one from a series of semi-apocalyptic poems I’m putting together for a small collection I’m hoping to shop around next year, and I’m glad this early piece found a home. San Pedro River Review is one of my favorite publications of all time run by the incredible Jeff and Tobi Alfier, and I haven’t taken a shot at submitting with them in a while, so I’m doubly honored to appear there once again. Thanks for reading and for your support!

"Feast" now appears at Winedrunk Sidewalk

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My poem “Feast” recently appeared in the online journal Winedrunk Sidewalk, a blog that posts poetry, photos, and artwork about life under the 45th president. Not all of it is about 45; most focuses on the world and society in general over the last few years. They’ve published a few of my pieces in the past and this is a newer one that I’m including in a chapbook I’m putting together, which I’ll be shopping around soon. Thanks for reading, and be sure to send them your own work about your experiences of being “shipwrecked in Trumpland,” as Winedrunk editor John Grochalski puts it.

Feral Kingdom is Now Available

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My latest collection of poetry, Feral Kingdom, is now available from Kung Fu Treachery Press, and you can find copies at either Barnes & Noble or at Amazon. A small number of signed copies will be available at future readings and free reviewer PDFs are always an email away, just ask! The collection features poems about that wild and lonely landscape between old lives that have fallen away and the new ones we have yet to find, a place of raw nerves and awkward nights, of bars drenched in neon and highways promising something better. There’s a feral kingdom out there, and all of us have to walk through it, live it, survive it, one way or another. For samples of the kind of poetry you’ll find within, check out “Spiders at Night” from Up The River, “West Texas Skyway” from Punch Drunk Press, or “My Ex’s Father” from Foliate Oak Literary Magazine. My deepest thanks to Kung Fu Treachery Press and to all of you for your support!

New Poem in Foliate Oak Literary Magazine

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My poem “My Ex’s Father” now appears in the April 2019 edition of Foliate Oak Literary Magazine, an online journal published by University of Arkansas-Monticello. It’s an older poem that I recently unburied and revised, and to me the poem speaks to the idea that when we break up with someone, the greatest loss isn't always that person, but the others we no longer get to call a part of our circle. My Ex’s Father” will also appear in my upcoming poetry collection titled Feral Kingdom (from Kung Fu Treachery Press, date TBD) alongside other similar pieces, and I will post more details as soon as the book is available. Thanks for taking a look, and I appreciate all of your support over the years.  

New Poem Posted in Trailer Park Quarterly, Volume 9

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My poem “an unordered list of things that remain” is now up in Trailer Park Quarterly, Volume 9, a magazine I’m very fortunate to have appeared in before now and I’m extremely honored to be in there again. The issue features a bunch of other writers I respect, such as John Dorsey, Tobi Alfier, Kevin Ridgeway, Jason Ryberg, Wendy Rainey, and many others. This particular poem is about the passing of our family dog, Rocky, and it means a lot to me. I hope you enjoy it.

The Blue Hour Anthology, Vol. 4

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I'm ecstatic to announce that two of my poems now appear in an amazing collection, The Blue Hour Anthology, Vol. 4. This press has supported my work for a long time and to have my poems "Badlands" and "Sunday May" in their new assemblage is a real honor. They always put out gorgeous books and they have a great eye for writing. Being included with such writers as John Dorsey, Megan Gray, Heather Minette, Allie Marini, and Johnathon Dowdle (among many others) proves it. My deepest thanks goes out to the editors for including my work, and you can pick up copies at their Etsy shop!   

"Long Before Twilight" at Lonesome October Lit

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One of my favorite online literary journals, Lonesome October Lit, has published my poem "Long Before Twilight," which contains all sorta of fun nostalgic references to my grade school library, books about werewolves, and childhood daydreaming. The poem also appears in my narrative poetry collection We Are All Terminal But This Exit Is Mine, which is available at Amazon. Be sure to read the other eerie, spooky poems and stories over at Lonesome October Lit too, and let me know what you think! Thanks for reading.